02.01.2025 17:00 - 18:15
Reformierte Kirche Thayngen, 8240 Thayngen
Collection
Happy dreaming into the new year with: Regula Bernath, traverso Thomas Unternährer, baroque oboe Tore Eketorp, viola da gamba Annette Unternährer, harpsichord
"Musik frisch ab Hof" closes the season in the Thayngen Reformed Church with a sonorous concert at the beginning of the year.
The duo of organist and harpsichordist Annette Unternährer-Gfeller and flautist Regula Bernath will be joined by Thomas Unternährer and Tore Eketorp to form a quartet for this varied program. The four musicians play on historical instruments or instruments based on baroque models. Let yourself be infected by the quartet's joy of playing and enjoy the warm colors of the viola da gamba, baroque oboe and transverse flute and the sometimes rhythmic, sometimes melodic sounds of the harpsichord (from the workshop of the Schaffhausen harpsichord maker Markus Krebs). Tender love songs from Scotland, cheerful Irish music, elegant courtly dances from France, as well as radiant virtuoso works from Telemann and Handel's pens promise a wide range of emotions.
Johann Joachim Quantz from Trio Sonata for flute, oboe and basso continuo, QV.2; Anh.5 in C minor 1697-1773 Andante Moderato
Johann Sebastian Bach Canon perpetuus from "Musical Offering" BWV 1079 1685-1750
Kaspar Fritz from Sonata in C major for flute and basso continuo 1716-1783 Andante
Georg Friedrich Händel Sonata in C major for viola da gamba and obbligato harpsichord 1685-1759 Adagio - Allegro - Adagio - Allegro
Georg Philipp Telemann Concerto à Tre G major: Flauto Traversiere, Oboe d'amore and Basso, TWV42:A9 1681-1767 Vivace - Soave - Vivace
Francesco Barsanti from "A collection of old scots tunes with the Bass, Edinburgh 1742 1690-1770
Dumbarton's Drums The Lass of Pealies's mill
The Birks of Envermay Logan water
Peggy I must love thee
François Couperin from "Les Nations: L'Impériale" 1668-1733 Courante - Sarabande - Gigue - Bourée
Turlough O'Carolan Irish songs 1670-1738
O'Carolan's Draught The Fairy Queen Mrs. Power (O'Carolan's Concerto)
Regula Bernath, flute
In addition to her busy concert schedule as solo flutist with the Basel Sinfonietta, the Camerata Schweiz, the Basel Chamber Orchestra and various orchestras and chamber music ensembles, she teaches at the Laufental/Thierstein Music School and in Thayngen (SMPV). She completed her studies at the Basel Music Academy with G. Hildebrand and F. Renggli (teaching, orchestral and soloist diploma) with distinction in 1997. She was 1st prize winner of the "RAHN Music Prize for Flute" and received the "ORPHEUS Concerts Sponsorship Prize". Following her studies, a scholarship enabled her to spend a year at the "Cité Internationale des Arts" in Paris, during which she continued her studies with M. Moraguès and began studying the baroque and classical transverse flute with M. Hantai. She graduated from the Schola Cantorum Basiliensis in 2010.
She is the initiator and organizer of the open-air concert series "Musik frisch ab Hof" (since 2020) and of various chamber music projects in Switzerland, Chile and Japan.
www.regulabernath.ch
Thomas Unternährer, baroque oboe
grew up in Marbach LU. He studied oboe and cor anglais in Zurich and graduated with a teaching and concert diploma. He also studied singing, piano and choral conducting. He has been a regular member of the Camerata Schweiz symphony orchestra since 2005. Thomas Unternährer also performs with Camerata 49. He is also a member of the Trio Cocteau. As a chamber musician, he has played at international festivals such as the Ittinger Whitsun Concerts with Heinz Holliger and András Schiff and the International Oleg Kagan Music Festival with Eduard Brunner. With his wife Annette Unternährer, he has been performing for several years with stylistically broad programs ranging from early baroque to old folk music to jazz and improvisations on various oboe instruments and with vocals. From 2014 to 2021 he studied historical oboe instruments with Carole Wiesmann at the Schola Cantorum Basiliensis. He teaches oboe at the Oberemmental and Escholzmatt-Marbach music schools and has conducted the Marbach Catholic Church Choir since 2005.
Tore Eketorp, viola da gamba
was born in Stockholm, where he studied viola da gamba with Keren Bruce Westerlund at the Kungliga Musikhögskolan in Stockholm. He completed postgraduate studies at the Schola Cantorum Basiliensis with Paolo Pandolfo, which he completed with distinction in 2009. During his studies, he also received lessons in fiddle and medieval music from Randall Cook. Tore Eketorp's musical activities have taken him to various festivals and concert series in Europe, Asia, North and South America. He has won prizes at several international competitions and has taken part in many CD, television and radio recordings. In addition to his musical activities, he also works as an occupational therapist in the Basel region.
Annette Unternährer, harpsichord
studied harpsichord at the Zurich University of Music (concert diploma) and graduated from the Schola Cantorum Basiliensis with a diploma in early music in harpsichord (Prof. A. Marcon) and a master's degree in organ (J.A. Bötticher). She celebrated international success as an organist in 2010 as a finalist of the International Paul Hofhaimer Prize in Innsbruck, as winner of the Schnitger Prize 2011 at the Grand Prix d'ECHO in Alkmaar and as prizewinner of the Buxtehude Competition in Lübeck in 2012. In her concerts, she proves herself to be a specialist in 17th and 18th century music, where both her lively playing and improvisation come into their own. Her first solo CD with organ works by Johann Ludwig Krebs was released by GENUIN classics in 2016. Annette Unternährer is organist at the parish of Worb BE, artistic director of the Langnau chamber music evenings and teaches organ and harpsichord at the Oberemmental music school.
https://unternaehrer-gfeller.ch/
The duo of organist and harpsichordist Annette Unternährer-Gfeller and flautist Regula Bernath will be joined by Thomas Unternährer and Tore Eketorp to form a quartet for this varied program. The four musicians play on historical instruments or instruments based on baroque models. Let yourself be infected by the quartet's joy of playing and enjoy the warm colors of the viola da gamba, baroque oboe and transverse flute and the sometimes rhythmic, sometimes melodic sounds of the harpsichord (from the workshop of the Schaffhausen harpsichord maker Markus Krebs). Tender love songs from Scotland, cheerful Irish music, elegant courtly dances from France, as well as radiant virtuoso works from Telemann and Handel's pens promise a wide range of emotions.
Johann Joachim Quantz from Trio Sonata for flute, oboe and basso continuo, QV.2; Anh.5 in C minor 1697-1773 Andante Moderato
Johann Sebastian Bach Canon perpetuus from "Musical Offering" BWV 1079 1685-1750
Kaspar Fritz from Sonata in C major for flute and basso continuo 1716-1783 Andante
Georg Friedrich Händel Sonata in C major for viola da gamba and obbligato harpsichord 1685-1759 Adagio - Allegro - Adagio - Allegro
Georg Philipp Telemann Concerto à Tre G major: Flauto Traversiere, Oboe d'amore and Basso, TWV42:A9 1681-1767 Vivace - Soave - Vivace
Francesco Barsanti from "A collection of old scots tunes with the Bass, Edinburgh 1742 1690-1770
Dumbarton's Drums The Lass of Pealies's mill
The Birks of Envermay Logan water
Peggy I must love thee
François Couperin from "Les Nations: L'Impériale" 1668-1733 Courante - Sarabande - Gigue - Bourée
Turlough O'Carolan Irish songs 1670-1738
O'Carolan's Draught The Fairy Queen Mrs. Power (O'Carolan's Concerto)
Regula Bernath, flute
In addition to her busy concert schedule as solo flutist with the Basel Sinfonietta, the Camerata Schweiz, the Basel Chamber Orchestra and various orchestras and chamber music ensembles, she teaches at the Laufental/Thierstein Music School and in Thayngen (SMPV). She completed her studies at the Basel Music Academy with G. Hildebrand and F. Renggli (teaching, orchestral and soloist diploma) with distinction in 1997. She was 1st prize winner of the "RAHN Music Prize for Flute" and received the "ORPHEUS Concerts Sponsorship Prize". Following her studies, a scholarship enabled her to spend a year at the "Cité Internationale des Arts" in Paris, during which she continued her studies with M. Moraguès and began studying the baroque and classical transverse flute with M. Hantai. She graduated from the Schola Cantorum Basiliensis in 2010.
She is the initiator and organizer of the open-air concert series "Musik frisch ab Hof" (since 2020) and of various chamber music projects in Switzerland, Chile and Japan.
www.regulabernath.ch
Thomas Unternährer, baroque oboe
grew up in Marbach LU. He studied oboe and cor anglais in Zurich and graduated with a teaching and concert diploma. He also studied singing, piano and choral conducting. He has been a regular member of the Camerata Schweiz symphony orchestra since 2005. Thomas Unternährer also performs with Camerata 49. He is also a member of the Trio Cocteau. As a chamber musician, he has played at international festivals such as the Ittinger Whitsun Concerts with Heinz Holliger and András Schiff and the International Oleg Kagan Music Festival with Eduard Brunner. With his wife Annette Unternährer, he has been performing for several years with stylistically broad programs ranging from early baroque to old folk music to jazz and improvisations on various oboe instruments and with vocals. From 2014 to 2021 he studied historical oboe instruments with Carole Wiesmann at the Schola Cantorum Basiliensis. He teaches oboe at the Oberemmental and Escholzmatt-Marbach music schools and has conducted the Marbach Catholic Church Choir since 2005.
Tore Eketorp, viola da gamba
was born in Stockholm, where he studied viola da gamba with Keren Bruce Westerlund at the Kungliga Musikhögskolan in Stockholm. He completed postgraduate studies at the Schola Cantorum Basiliensis with Paolo Pandolfo, which he completed with distinction in 2009. During his studies, he also received lessons in fiddle and medieval music from Randall Cook. Tore Eketorp's musical activities have taken him to various festivals and concert series in Europe, Asia, North and South America. He has won prizes at several international competitions and has taken part in many CD, television and radio recordings. In addition to his musical activities, he also works as an occupational therapist in the Basel region.
Annette Unternährer, harpsichord
studied harpsichord at the Zurich University of Music (concert diploma) and graduated from the Schola Cantorum Basiliensis with a diploma in early music in harpsichord (Prof. A. Marcon) and a master's degree in organ (J.A. Bötticher). She celebrated international success as an organist in 2010 as a finalist of the International Paul Hofhaimer Prize in Innsbruck, as winner of the Schnitger Prize 2011 at the Grand Prix d'ECHO in Alkmaar and as prizewinner of the Buxtehude Competition in Lübeck in 2012. In her concerts, she proves herself to be a specialist in 17th and 18th century music, where both her lively playing and improvisation come into their own. Her first solo CD with organ works by Johann Ludwig Krebs was released by GENUIN classics in 2016. Annette Unternährer is organist at the parish of Worb BE, artistic director of the Langnau chamber music evenings and teaches organ and harpsichord at the Oberemmental music school.
https://unternaehrer-gfeller.ch/